Sunday, December 16, 2012

The Tragedy Paper

The Tragedy Paper 
by Elizabeth Laban
2013, Knopf Books for Young Readers
ISBN: 0375870407

This is Duncan's story, but it's told through Tim's story of the previous school year. Irving is a top-notch private school where both boys share the story of their senior year, and of the senior project, a composition that must provide evidence that students have grasped the concept of tragedy and what it looks like.

This is a solidly-crafted story line with an intriguing plot and exceptional interaction between characters.  But those characters are less-well developed than the reader would want in order to understand the implications of the plot developments.  

I happened to be reading a book by Gary Schmidt (First Boy) at the same time I was reading this book -- and the contrast between the depth and development of that plot and its characters, and the details of Tragedy Paper was striking.  Duncan and Tim's stories are less compelling, less engaging, though more dramatic more of the time.

What is different about this book 
The over-laying of Tim and Duncan's stories (and of their common friends and experiences) makes for a skillful tale that many young adult readers will enjoy.  The points of sameness, though from two different lives, makes for a very good story.  Foreshadowing is skillfully woven into the action and thoughts of the protagonists. And there is tragedy, of course, but not earth-shaking tragedy. I think young adult readers will like this story.  And I appreciate that the book includes a protagonist that is different.

What I'll do now that I've read this book 
The marketing and publicity for the book will probably put it on the radar for most libraries and book stores, and I think it will have a moderate success.  I will be purchasing this for my school library patrons, and I'll enjoy finding a match between the story of Tim and Duncan and my readers who will enjoy that story.

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Saturday, November 24, 2012

A Taste of Grace

A Taste of Grace: Christianity Without the Religion
by Greg Albrecht
Plain Truth Ministries
Pub November 2012


The title grabs both traditional Christians as well as those disenchanted by the church and religiosity:  ChristianityWithout the religion?  What new heresy / hope is this?

Greg Albrecht starts his small book with a metaphor that grabbed my attention:  God's grace ... flows to low places, responding favorably to the spiritual gravitational pull of humility.  

The Forward to this book was compelling: The kingdom of God is impervious to all our works and wiles to win acceptance. The author correctly and wisely contrasted "the kingdom of religion" where God is trying to fix us, with the kingdom of God where our Creator's purpose is our complete transformation. 
The kingdom of religion is all about paying your dues and making your own way.  It's all about earning and getting what you deserve.  Christianity without the religion is all about God's unmerited favor-- it's called grace!
The problem came in the first chapter, though, when Albrecht argued convincingly that only God's work can make us acceptable. Then he interpreted a passage of Scripture (Matt. 22:14), saying that few are chosen means "few choose to respond to the invitation, and thus many are not chosen."  

What? In that passage Christ clearly says that God chooses man, not the other way around.  But Albrecht's interpretation of those words stated that man's own volition to "choose" God is a required part of being in the kingdom: the very antithesis of the author's argument. 

It can't be both ways: either God chooses his children, or men are able to choose (or not) Him. Albrecht's take on this issue represents a centuries-old division, as well as a significant divergence from historical Christian thought.

There were other similar moments in the book when Albrecht interpreted Scripture slightly differently from the clear meaning of the Bible's words. Usually when this happens, an author explains the paradox or the conflict, but Albrecht made no notice of the juxtaposition. 


What's different about this book 
The overwhelming impression of this book is its strong claim for God's sovereignty and man's inability to earn acceptance. It is a strong voice that I believe God honors and which is not commonly found.  I was encouraged and strengthened by reading it.  However it contains doctrinal strands that do not align with traditional Christian thought. 

What I'll do now that I've read this book 
This book provides a valuable perspective on the exigency of God's grace. We need to hear these truths, and many who are resistant to or confused by religiosity will be moved forward by reading this book.  But a librarian's purchasing and adding a title to a collection is a tacit approval of that book.  This will be a title I recommend, in situations that merit it, rather than something I add to our library.



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Monday, July 23, 2012

Farfalla

Farfalla, A story of loss and hope
by Vanita Oelschlager, illustrated by Kristin Blackwood
VanitaBooks, LLC
September 2012
ISBN: 9780983290407

This attractive book bears a just-right touch for helping young children realize that not all metamorphoses and births result as planned. 

One day young Beetle and his mother find a neighborhood of caterpillars in the blueberry bush, and Beetle finds some pleasant neighbors ... until the caterpillars disappear, the cocoons appear, and Beetle's mother has to explain that there are changes in store and beetle must be patient. 

When a particular cocoon doesn't produce Farfalla the butterfly that Beetle has named, planned and waited for so long, mother must again explain that not all butterflies make it out of the cocoon, and she consoles Beetle about the loss.

This book would be a supportive and straight-forward read to help children understand miscarriage as well as deaths of pet and other babies they see in nature around them. The illustrations and text hit just the right note of access without patronizing the child reader, though the solution to Farfalla's non-birth is less than satisfying.

What's different:
The text is neither so blatant nor so soft that the child misses the message. The illustrations support and extend the message with just the right touch of appeal. 

Parallels from butterflies to babies can be made easily, and the story and emotions set by the drawings will be comfortable for repeated readings.

Now that I've read it:
This title will be a good one to add for my school library. The message of life after death does not help with my particular theology, so I won't be adding it to the church library.

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Sunday, May 6, 2012

Immortal Rules

The Immortal Rules
Blood of Eden: Book I
Julie Kagawa
Harlequin, 2012
ISBN: 9780373210510

I knew Kagawa's reputation as a compelling story weaver because my young adult readers are avid readers of her Iron Fey series. The fact that Harlequin publishes that series and this first book in a new series tells me that there will be an engaging plot, some reasonable character development, and romance.

Seems like Kagawa + Harlequin is a great match. There is action but not at the cost of plot development. There is romance, but not at the cost of weak plot. And the young adult attribute seems to keep it all within bounds.

And the title? A nicely complex one, indicating both the preeminence of the vampires in this world, as well as Allison's learning the "rules" of vampireness.

What's different about this book:
The best thing about the book, from my point of view, is seeing the over-done vampire story from the point of view of empathetic vampires. The books starts with Allison as a human, and there is an excellent development of the post-apocalyptic world she lives in, and the amazing challenges she faces.

Then she gets into danger, gets a-l-m-o-s-t killed, and is Turned by a vampire that is different. So as Allison goes through the adjustment, the readers does too -- and somehow all those other vampire books make more sense as I come to understand Allison's perspectives. Yes, vampires are monsters, but each decides what kind of monster s/he will become. And thus a new tension arises for the protagonists in the vampire vs. human conflict: how will Allison keep her humanity despite being a vampire?

Yes, it's another Vampire story. But it's a fresh one. That sounds like an oxymoron, but trust me: this book is worth your time.

What I'll do now that I've read it: 
  This is definitely a To Buy for my young adult readers and the library through which I serve them. Great story, nothing sensationalist or inappropriate, and it's all embedded in an enjoyable read. Looking forward to having this series to offer my readers.

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Thursday, February 23, 2012

The Stuttering Tattoo

The Stuttering Tattoo
Author and Publisher: Greg Logsted
Imprint TKA Distribution
ISBN 9781937776213


This is a very "guy" book: young adult male readers will find a lot to empathize with and enjoy.

As a librarian for young adults, I appreciate that. But I see a lot of unpolished writing here. The plot line is great, but the construction and the composition need work.

Steven thinks in ponderous, existential big ideas. To the reader, he SOUNDS the way a 17-year-old male speaks -- but I don't think they really think that clunkily. There are some great, profound thoughts, though, coming from a 17-year-old.

I still haven't made up my mind about the always-present-tense verbs approach. Sometimes it didn't work for me.

But the plot development: wow. So much action and intrigue! And I loved Carlos who always had Steve's back. The characterizations were full and interacted well with each other.

But toward the end of the book as I was reading along, I suddenly had to do a double-take: the high point of the plot was just ... there. Abruptly. Was I the only reader who didn't realize the story line was building ... until the climax was past?

I'm curious about the TKA (Keyword Academy?) Distributor imprint: how much help did the author have to polish and strengthen the work? Apparently this is a self-published book, which might explain lack of community and breadth in the creative process. It also means a whole lot more time and effort invested by the author.

Regardless of publisher, however, this book had a KILLER cover, which many big-time publishing companies fail to achieve. My kids do pick their books by the cover.

In conclusion, I applaud Greg for his initiative and for his growing work. Keep writing, guy: I'm pulling for you!

What's different about this book:
 There's a whole lot of action, and a serious plot (people die!), and an appropriately and realistically functional family (whose is completely functional??), along with an honest male's appreciation of the female body (still kept clean -- thanks!). I figure these values (the great author's eye for a story) outweigh the lack of experience or editorship and bode well for Greg's coming works. 

And my guys who read it won't care about the editing.

What I'll do now that I've read it:
If I could get it in print, I'd pass it on to my junior and senior high school students. Since it's digital only, this book probably won't make it through our extremely narrow stream of Kindle books for our smallish collection of Kindles or other e-reader devices. But I'll keep my eye out for future Logsted works.

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Monday, January 30, 2012

The Book of Lost Fragrances

The Book of Lost Fragrances: A novel of suspense
by M. J. Rose
published 2012 by Atria Books

A complicated and intriguing book.
What would I tell my best friend, whom I want to read this book? It's about the magic of perfumery and the life threads that fragrance triggers. It's about the soul's travel through the centuries, and about reincarnation, and about how our daily lives can be envisioned through past experiences.

But enough ethereal vapors -- this is a darn good mystery  suspense novel too. Somehow the threads of author Rose's plot manage to run through ancient Egypt, revolutionary France, and modern-day New York and Paris. Riding on those threads are the lives of Jac (short for Jacinthe) and her Griffin, Marie-Genevieve and her Giles, and Iset and her Thoth. There's murder, and miracles, and modern mayhem. Yet despite the complexity, the author cleverly maintains the clarity of the threads, and the reader's engagement in them, across the centuries.

What's different about this book
It's an engaging suspense story all mashed up with reincarnation and romance. The characters are engaging, the problems compelling, and the solution is an act of unexpected selflessness.

What I'll do now that I've read it
This is a good one, a book to buy and loan and borrow. And to read again! So my high school library readers will soon have this available on their shelves. And my friends may receive copies as well, just for a good read.

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Wednesday, January 11, 2012

Hidden Witch


A Hidden Witch, Bk 2 of A Modern Witch series
by Debora Geary
published 2011 by Fireweed Publishing

Over the Christmas holidays I got hooked into this series by a reading friend. Yeah, yeah, yeah, witches and magic and who needs it?

But because I love this friend, I gave the first book a try. The plot line was compelling, the approach to magic and the supernatural was fresh and human-centered (i.e. it's all for good, family, and community), and there was a touch of romance, a good amount of surprise and novelty, and a whopping dose of problems solved with loving, supernatural abilities generously mixed with ingenuity and creativeness.

"Creative" may be the best word for the series, and for this second book, Hidden Witch, as well. There is a winning combination of popular characters from the first book and new and engaging figures in the second.

It's fun reading; unrealistic (not just for the magic but for the absence of bad, evil people -- which I love!); and the story line keeps moving. I was afraid, at one point, that the second book would not be as compelling, but again the sense of community and the creativity with which these witches work their magic is indeed magic. A very satisfying read.

What's different about this book:
The approach is fresh, and the story itself is fun. Not what I read during my school term, but great for the in-between breaks. And the authoring craft is at its best here: to conceptualize all this stuff is an entirely different craft, and it's done as well as the writing itself. Great job, Debora.

Evaluation, or what I'll do now:
This is not something I'll use for my school or church libraries (and there's no issue of it being inappropriate for "spiritual" folk -- it's just made-up, like Santa Claus).

But it is the best reading I've had in a while to recommend to friends. Thanks, Mary Frances!

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Sunday, November 27, 2011

King Solomon


King Solomon: The Temptations of Money, Sex, and Power
by Philip Graham Ryken
Crossway, 2011

Non-fiction: Adult, Philosophy, Religion & Spirituality

Crossway consistently produces thoughtful and relevant reading. This was another success for the publishing house.

For many of us the Biblical story of Solomon is not new. In fact, that familiarity may be the single greatest obstacle the book faces: what more can we learn?

And this is where Ryken and Crossway prove to be a successful combination: Ryken's spiritual insight and mastery of writing, with Crossway's support, offer us a thoughtful read.

This is not just for Christians but for most of us who recognize personal struggles with any form of money, or sex, or power. And as Ryken describes and illustrates these areas, these Big Three really encompass most of the challenges for a contemporary self-aware life.

What's different about this book:
The stories and illustrations are ENGAGING and relevant. I did not expect that with the book's focus. Solid, yes, and Biblical, sure: I expected those. But to find the writing both encouraging and convicting and engaging, that I didn't expect.

Evaluation, or what I'll do now:
This is a great resource for my church library work. I'll be eager to see folks pulling this book off the shelf and finding, as I did, that it is an experience well worth the time.

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First Rule of Ten


The First Rule of Ten: A Tenzing Norbu Mystery
by Gay Hendricks, Tinker Lindsay
Hay House, 2012 (Adult Fiction / Mystery, Detective)

I was attracted to this book because of an uncommon mix of mystery, murder and spirituality. And I kept reading because the authors continued to use the best of each of these areas in developing the characters and action.

As the book opens, Ten is deciding to leave his job -- LAPD detective-- after getting shot and realizing he's not where he wants to be. He loves detective work, so he strikes off on his own.

Along the way Ten is accompanied by his house mate Tank (a large feline with an equally large personality), his ex-partner Bill and family, and the quintessential tech help, Mike. This combination of friends, as well as new ones he makes along the way, makes for a fun and comfortably mysterious read.

What's different about this book:
This is not your typical heavy, angst-ridden LA detective. Ten is fun, enjoys people, treasures his moments of solitude, and examines his relationships and path in the world through his Buddhist beliefs and background. It's refreshing to have a protagonist who represents the universal virtue of grace. Ten also differs from other LA detectives in his personality or aura: his is a gentler soul, softer.

Evaluation:
This was an enjoyable read. It's not compelling enough to push with my young adult / high school / adult readers. But I can recommend it without hesitation. And I will probably watch for the two titles that will be following in this trilogy. Not a high-stress read, but a pleasant one. Engaging characters, enough "bad guy gets his comeuppance" to be satisfying.

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Thursday, September 1, 2011

Keeper of Lost Causes


Keeper of Lost Causes
by Jussi Adler-Olsen
2011 Penguin Group (USA) / Dutton

An excellent story, an entertaining read.

If you're looking for another Stieg Larssen book, this isn't it. The flawed hero isn't as charismatic, but the side-ways humor is better. The female protagonist is NOT Lisbeth, but she's not intended to be as central to the day-to-day plot.

But the good news: the interaction between Carl, the protagonist, and his side-kick Assad is rich, and the combination (especially considering Assad's mysterious background and uncanny skills) offers a new perspective for the enjoyment of the reader. And the construct of a Department Q, the department consisting of one detective assigned important cold cases, offers many opportunities for many fine reads to come.

Best of all, Jussi Adler-Olsen is still with us, and will hopefully prove to be a prolific writer. I'm ready for the sequel.

What's different about this book:
It's by an international author, in an international setting, and it feels different to those in a North American context. But the complex plotting and the rich humor make it worth the reader's while to spend some time outside the expected comfort zone.

Evaluation, or what I'll do now that I've read the book:
This would be a good (and appropriate) read for my crime novel fanatics in my high school library community. And it will be a great recommendation for others, like me, who enjoy the thrust and parry of an anarchistic, iconoclastic individual with little patience for the Establishment's way of doing things.

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